Read Dreaming the Beatles: The Love Story of One Band and the Whole World By Rob Sheffield
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Ebook About An NPR Best Book of the Year • Winner of the Virgil Thomson Award for Outstanding Music Criticism“This is the best book about the Beatles ever written” —Mashable Rob Sheffield, the Rolling Stone columnist and bestselling author of Love Is a Mix Tape offers an entertaining, unconventional look at the most popular band in history, the Beatles, exploring what they mean today and why they still matter so intensely to a generation that has never known a world without them.Dreaming the Beatles is not another biography of the Beatles, or a song-by-song analysis of the best of John and Paul. It isn’t another exposé about how they broke up. It isn’t a history of their gigs or their gear. It is a collection of essays telling the story of what this ubiquitous band means to a generation who grew up with the Beatles music on their parents’ stereos and their faces on T-shirts. What do the Beatles mean today? Why are they more famous and beloved now than ever? And why do they still matter so much to us, nearly fifty years after they broke up?As he did in his previous books, Love is a Mix Tape, Talking to Girls About Duran Duran, and Turn Around Bright Eyes, Sheffield focuses on the emotional connections we make to music. This time, he focuses on the biggest pop culture phenomenon of all time—The Beatles. In his singular voice, he explores what the Beatles mean today, to fans who have learned to love them on their own terms and not just for the sake of nostalgia. Dreaming the Beatles tells the story of how four lads from Liverpool became the world’s biggest pop group, then broke up—but then somehow just kept getting bigger. At this point, their music doesn’t belong to the past—it belongs to right now. This book is a celebration of that music, showing why the Beatles remain the world’s favorite thing—and how they invented the future we’re all living in today.Book Dreaming the Beatles: The Love Story of One Band and the Whole World Review :
I bought this based on the recommendation of a friend who proclaimed that he learned so much new information about the Beatles (first chapter, according to him). I didn’t learn much I didn’t know already. The Ob-La-Di, Ob-La-Da story was new to me and I was happy to learn that one. I’m still not sure it was worth the price.While I can’t say I regret reading the book, I do kind of regret buying it. There’s not much new here. While it’s interesting to read another superfan’s opinions, he sometimes misquotes lyrics or proclaim’s a song’s meaning. For example, “Yes, It Is” has never been confirmed to be about a woman’s death. Neither Lennon nor McCartney have said that. It was merely some other author’s opinion). He dedicates several paragraphs though to that premise stating more or less unequivocally that is what they song is about.He pointlessly devotes an entire chapter to songs about the Beatles which is a complete waste of time since it includes such musical luminaries as The Muppets and Weird Al. Many of the songs are not about the Beatles at all and are simply songs the author seems to like.He also devotes an entire chapter for the tired Beatles versus the Rolling Stones debate. He paints Mick Jagger as an authentically dangerous, rebellious figure while Lennon (and the Beatles) were happy go lucky moptops. He conveniently ignores Mick’s public school education (7 O-levels, 3 A-levels) and phony working class accent (find old interviews to hear his real accent). John didn’t fake any of that (failing all his O-levels) rebellion. John was actually violent (even Ringo was in a gang). The Stones had an image, played up by their brilliant management. But John was right, every thing the Beatles did the Stones tried to copy musically up until they figured out they were better by just being the Stones. I love both bands, but it’s a tiresome argument that even a little research should dispel.Something other reviewers have mentioned is his annoying (cloying) habit of constantly quoting Beatles lyrics throughout every single chapter. Often several times in a paragraph. It got old in the first chapter. It never stopped. It’s throughout the book and is maddening.I did find his take on why the Beatles seem to go from peak to peak, even years after their breakup, to be interesting and insightful.Give it a pass. There are much better books out there. There are better fan sites out there. There are better Reddit posts out there. Despite the sizzling jacket blurbs to this effect, this is definitely not THE book about the Beatles to read. There are redeeming features: most notably, the book is well-written and pleasurable (for Beatles fans) to read (hence 3-stars). It contains good comments about Ringo, and dubious, unoriginal ones about Paul. The satisfaction was more of the kind you get reading People Magazine than serious reflection on who the Beatles were and why their influence remains so great. For a book whose purported aim was to address just this question--on behalf of the whole world, no less--there was little musical, historical or cultural insight. The leitmotif of Sheffield's story is that the Beatles were all about girls--copying girl band music, wooing, talking to/about and appealing to girls, and so on. He develops this in a way that makes it seem less-self-evident than you'd think, but in any case it's hardly a basis to explain why, half a century after their breakup, the public remains fascinated by the Beatles and their music. Sheffield is a fanboy magazine reporter, no more.Along these lines, as his editor, I would have insisted on several alterations:1. Get a co-writer who understands music so you can address the musical aspect of the music, duh.Sheffield doesn't seem to know much about music beyond his own tastes, about which he is surprisingly inarticulate. One of his girlfriends liked this one, he was going through puberty when he discovered that one, and so on.(For the reader who wants to learn something about Beatles music, see Ian MacDonald's song-by-song analysis in Revolution in the Head. MacDonald also has much deeper insights about the cultural place and impact of the Beatles, as do other writers.)2. Cut the fanboy crap by 50%.I love the Beatles and I rarely get bored hearing about them, listening to outtakes, seeing them in pictures and following each of their post-Beatles careers. Still I found this book cloying. Use your own words instead of Beatles song quotes. It's cute only once or twice.3. Get over yourself, in fact, pretty much forget yourself except maybe in the foreword.This book is about 10%-15% about Sheffield himself. Personal anecdotes can be a useful device, but Sheffield's serve no purpose other than to explain how he came to prefer this song or that. I personally found some of his choices perverse, but I wouldn't burden my review explaining the autobiographical provenance of my preferences--as Sheffield has done.4. Know that when you rank The Rolling Stones’ and Taylor Swift’s music alongside that of the Beatles, you compromise your credibility. Absolutely no insult intended to those other artists. But the correct comparison with the Beatles is to songwriting geniuses such as Rodgers/Hart/Hammerstein, George & Ira Gershwin, Johnny Mercer, Irving Berlin, Ellington/Strayhorn and similar artists whose compositions (though not the story of their fame) also have proven to have lasting virtue (they became jazz standards). As as Leonard Bernstein put it, The Beatles were Schuberts of our time and the best songwriters since Gershwin.The story of The Beatles astounding personal fame is yet a different story, one not really told well in Sheffield's book either.Unlike some of the other more substantive musical and cultural biographies of the Beatles, Sheffield's book will not long accompany the Fab Four in their continued reputation as the most influential band of the second half of the 20th century. But as a fun read for Beatles gossip-obsessed fans, I can recommend...borrowing it from the library. 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